Redneck Yacht Club
Short Film, 2013
- Role
- Director
- Target
- A summer short in which city dwellers reconcile with rural lake party culture — without condescending in either direction
- Constraints
- July 2013 · self-directed · a documentary-weight subject shot over a weekend, with the camera belonging to the visitors and the weekend belonging to the lake
- Force fielded
- Nick Charney Kaye — direction
- Time-to-dispatch
- Published on the Fourth of July, 2013 — the single most accurate release date in this portfolio
- Result
- A released short film — Redneck Yacht Club on YouTube — in which nobody is converted and nobody is mocked; everybody floats
- Principal
- Outright Mental (self-directed)
City dwellers getting out of town for the weekend reconcile with rural lake party culture.
That’s the whole premise, and the film honors it by refusing to condescend in either direction. Published on the Fourth of July, 2013 — the single most accurate release date in this portfolio — it’s a summer document: sun flare, cutoff shorts, a match struck over a fire pit, coolers doing structural work. The camera belongs to the visitors, but the weekend belongs to the lake.
Watch it on YouTube — embedded above.
SHORT FILM · PUBLISHED JULY 4, 2013
LOGLINE: CITY DWELLERS RECONCILE WITH LAKE PARTY CULTURE
LOCATION: A COVE. PONTOONS LASHED TOGETHER.
DEPARTMENT: SUN FLARE · CUTOFFS · COOLERS (STRUCTURAL)
CAMERA BELONGS TO: THE VISITORS
WEEKEND BELONGS TO: THE LAKE
Why it holds up
The title borrows the country-radio shorthand for a very real institution: the flotilla of pontoons and bass boats lashed together in a cove, which is what a yacht club looks like when it’s honest. The comedy of the film is the city crew discovering, over one weekend, that the culture they drove out to observe has better logistics, better morale, and a better time than they do. Reconcile is the operative word in the logline — nobody is converted, nobody is mocked; everybody floats.
The manifesto says we challenge systems, not people — and the system on trial here is the one that taught city dwellers to smirk at lake culture in the first place. Satire with teeth doesn’t always bite downward or upward; sometimes it just holds the mirror at water level.
From the same era of the studio’s film shelf: “Man Explains Theory” and the Wendr “Vallery Girl” :30.
Proof: watch it on YouTube — published July 4, 2013, and embedded above.
